Easter, 1916 by Yeats: Summary & Poem Analysis

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  • 0:02 Background of 'Easter, 1916'
  • 2:24 Analysis
  • 4:42 Themes & Symbolism
  • 6:34 Lesson Summary
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Lesson Transcript
Instructor: Francesca Marinaro

Francesca M. Marinaro has a PhD in English from the University of Florida and has been teaching English composition and Literature since 2007.

This lesson examines the poem 'Easter, 1916' by William Butler Yeats. Learn about the poem's history, analyze its key themes and symbolism, and test your knowledge with a quiz.

Background of 'Easter, 1916'

'Easter, 1916' is a poem by Irish writer William Butler Yeats, commemorating the Easter Rising in Dublin on Easter Monday, April 24, 1916. Then under British rule, Ireland had been promised independence from Britain once World War I had ended, but the Irish people felt resentment at having to provide the English with men and supplies during the war. During the rebellion, leaders of a political party called the Sinn Feiners (meaning 'We Ourselves' in Gaelic), who favored Irish independence, occupied key buildings in Dublin. After six days, the rebels surrendered to British forces, and sixteen of the Sinn Fein were executed.

Yeats had known a number of the rebellion's leaders, and he used the poem both to pay tribute to their sacrifice and to work through his reaction to the uprising. In Stanza I, Yeats recalls Dublin before the rebellion, remembering encounters with clerks and shopkeepers - a humdrum existence that contrasts sharply with the mood of rebellion that triggered the Easter Rising.

Stanza II refers specifically to the rebellion leaders whom Yeats knew. He recalls them as they were before political rebellion hardened their hearts, doers of charity like the Countess Markievicz, and teachers and poets like Patrick Pearse and Thomas MacDonagh. The countess was imprisoned following the uprising, and Pearse and MacDonagh were executed. Yeats also refers to John MacBride, a romantic rival who married Yeats' love, Maud Gonne. Despite this, Yeats feels compelled to mention MacBride and acknowledge his sacrifice.

In Stanza III, Yeats commemorates the rebels for their strength in sacrificing themselves: a strength, which he compares to stone throughout the poem. Yet he wonders whether such sacrifice was necessary since England had, after all, promised Ireland their independence. He ultimately concludes, however, in the fourth and final stanza, that it is the duty of those who remain to remember the Sinn Feiners' sacrifice and honor them for fighting for their country and their political convictions. However needless the violence, their sacrifice forever changed the state of the nation.


As an Irishman, Yeats supported Irish independence, though he disliked violence. The poem reflects his struggle to come to terms with his conflicting emotions. The repeated line 'A terrible beauty is born' powerfully captures Yeats' internal conflict - his admiration at the love the rebels felt for their country and his sadness over the loss of life that resulted.

The tone of the poem shifts from casual indifference, to confusion and sadness, to ultimate acceptance and sympathy. Stanza I represents a mundane picture of Dublin:

I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words

The normal, day-to-day drudgery of life presents a stark contrast with the rest of the poem, the shift in tone signaled by the final lines of the stanza:

All changed, changed utterly:
A terrible beauty is born

Stanzas II and III convey a tone of sadness at the loss of Yeats' friends and acquaintances and confusion over whether or not he sympathizes with their rebellious actions. Lines like:

That woman's days were spent
In ignorant good-will,
(referring to Countess Markievicz ) and

He might have won fame in the end,
So sensitive his nature seemed
(referring to MacDonagh)

poignantly capture what Yeats views as a needless loss of life and sorrow over what these people might have achieved had they lived longer. On the one hand, Yeats admires their steadfast commitment to their purpose of pursuing Ireland's independence; on the other, he questions the extent to which passion, even a passion for what one believes to be right, can misguide and lead to tragedy:

Was it needless death after all?
For England may keep faith
For all that is done and said…
And what if excess of love
Bewildered them till they died?

In Stanza IV, Yeats mentions the names of several of the executed Sinn Feiners: MacDonagh, Pearse, MacBride, and James Connolly. He resigns himself to the loss, and with mingled sympathy and admiration, he calls the Irish people to commemorate them, to 'murmur name upon name.'

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