Handel: Major Works & Oratorio

Handel: Major Works & Oratorio
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  • 0:03 German Composer,…
  • 0:43 Handel's Career in England
  • 3:06 Handel's Oratorios
  • 4:30 Handel's Messiah
  • 6:30 Lesson Summary
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Lesson Transcript
Instructor: Emma Riggle

Emma has taught college Music courses and holds a master's degree in Music History and Literature.

Though George Frideric Handel was born in Germany, he composed the world's most popular English choral piece. This lesson explores how Handel's career brought him to England and how he captured the public's heart with his compositions called oratorios.

German Composer, English Masterpiece

Handel's Messiah is the world's most popular English choral work. It's also one of the most recognizable masterpieces from music's Baroque period (1600-1750). Did you know this famous English work was written by a German composer?

Born Georg Friedrich Händel, he changed his name to George Frideric Handel after he became a British subject. In this lesson, we'll explore how Handel built his career in England and how oratorios, like Messiah, made him one of England's most beloved composers.

Handel's Career in England

Handel was Born in 1685 in Halle, Germany. As a young man, he worked as a church organist in his hometown.

Later he moved to Italy, where he became a pro at writing the most glamorous music genre of his day: Italian opera. Baroque operas were spectacular, high-budget affairs full of special effects, snazzy costumes and scandalous stars. Basically, it was Baroque Hollywood.

In 1711, Handel's opera Rinaldo was a smash hit in London. Soon, Handel had relocated to London to write and produce Italian operas. He achieved massive success with shows like Giulio Cesare, which retold the story of Caesar and Cleopatra.

Handel was a powerful, imposing guy who knew how to get what he wanted in the temperamental world of opera production. For example, one day his diva-tastic lead soprano refused to sing one of her solos because Handel hadn't originally written it just for her. Handel dealt with this by picking her up and threatening to drop her out of a window. Handel famously shouted that the soprano was a 'she-devil,' but that he was 'Beelzebub, the prince of devils.' People learned not to mess with him.

While he was producing opera in London, Handel was also employed as a composer for a German aristocrat, the Elector of Hannover. Handel's life simplified in 1714, when the Elector became King George I of England, and Handel decided to become a British subject.

Handel enjoyed a prosperous career writing music for the king. Some of his most famous instrumental pieces were written for royal functions. For example, Handel's Music for the Royal Fireworks is a brassy, spectacular set of outdoor pieces written for a fireworks show and treaty celebration in 1749.

The premiere of this work was definitely memorable. Thanks to massive publicity, more than 12,000 people chose to attend, creating an 18th-Century traffic jam that closed London Bridge for hours. Then, during the performance, the fireworks malfunctioned, the stage caught fire and the giant audience stampeded for the exits. That might not sound like the best publicity, but he cheerfully re-arranged the piece for later performances, and it became wildly popular.

Handel's Oratorios

In 1728, Handel's status as a popular London composer was threatened by a new musical hit: John Gay's The Beggar's Opera. This show combined spoken lines with catchy, popular-style songs, much like a Broadway musical. The songs were in English, the characters were hilarious criminals, and the show satirized the overblown style of Italian opera. The Beggar's Opera was a big hit with the rising middle class, who started to demand accessible, English-language music instead of Italian operas.

Handel's solution was to focus on writing English-language oratorios instead of operas. An oratorio is a large-scale piece of music for choir, orchestra and vocal soloists, which tells a story without staging or costumes. Most oratorios are based on stories from the Bible, a source that Handel's English audiences knew well.

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