Imagery in The Hobbit

Lesson Transcript
Instructor: Thomas White

Thomas holds a BA in education and English literature and has taught middle school English.

In this lesson, learn about imagery and how an author adds emotional connotation to images. Analyze Tolkien's use of imagery in The Hobbit through three example passages. Updated: 04/13/2022

Immersive Imagery

J.R.R. Tolkien's work in both The Hobbit and its sequel The Lord of the Rings is well known and loved because it's immersive; read these books, and you're overcome with the desire to travel the roads of Middle Earth. At times, you can almost hear the wind, taste the air, and see the mountains approaching on the horizon.

This desire is largely inspired by Tolkien's use of imagery. Imagery is, to put it simply, descriptive language that gives the reader a vivid picture in their mind. But there's a little more to it than that. In this lesson, we'll take a closer look at imagery in The Hobbit.

Imagery is a powerful literary device because images are inherently emotional. Some images are happy. Others are sad. And some images carry more nuanced emotions, like fear, foreboding, or relief. These attached emotions are an image's connotation. You identify imagery's connotation by answering a simple question: ''How does this make me feel?''

Some nouns, like ''dungeon'' or ''palace,'' have inherent connotations, while others are more neutral and require adjectives like ''dark'' or ''dreadful'' to carry emotion. Imagery can be static (a description of a mountain) or active (any action). This also affects the image's connotation.

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  • 0:04 Immersive Imagery
  • 1:24 Imagery Example #1
  • 2:44 Imagery Example #2
  • 3:44 Imagery Example #3
  • 5:17 Lesson Summary
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Imagery Example #1

In The Hobbit, Tolkien spends a lot of time describing the landscape. As Bilbo travels with Thorin's company, he sees plains, forests, and lots of mountains. The connotation changes as Bilbo's attitude does.

This shift in connotation is most noticeable in the way he describes the mountains. See this first passage, from early in the novel:

''One morning they forded a river at a wide shallow place full of the noise of stones and foam. The far bank was steep and slippery. When they got to the top of it, leading their ponies, they saw that the great mountains had marched down very near to them. Already they seemed only a day's easy journey from the feet of the nearest. Dark and drear it looked, though there were patches of sunlight on its brown sides, and behind its shoulders the tips of snow-peaks gleamed.''

How do you feel about this mountain? Probably some anticipation. A slight nervousness, but confidence that it can be scaled.

Tolkien describes the mountain as ''great,'' and only ''a day's easy journey'' away. This makes the mountain feel approachable. It seems ''dark and drear,'' but shows ''patches of sunlight.'' The image is static. This mountain gives a solemn feel, but not despairing. It's the first mountain Bilbo has seen, and he is in awe.

Imagery Example #2

Let's look at another example:

''They were high up in a narrow place, with a dreadful fall into a dim valley at one side of them. There they were sheltering under a hanging rock for the night, and he lay beneath a blanket and shook from head to toe. . . then came a wind and a rain, and the wind whipped the rain and the hail about in every direction, so that an overhanging rock was no protection at all. Soon they were getting drenched and their ponies were standing with their heads down and their tails between their legs, and some of them were whinnying with fright.''

This passage carries a different connotation: panic. This image is active: ''the wind whipped the rain'' and ''they were getting drenched.'' Tolkien's verbs put the reader into the middle of a violent storm. Less description makes the image fly by quicker, contributing to the sense of panic. The words in this passage have negative and violent connotations. Bilbo is further along in his journey, and wondering why he ever came to begin with.

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